Burning Peacocks - Tears of Lava


Burning Peacocks are a Paris duo comprised of Alma Jodorowsky and David Baudart and arrive at my door with the shimmering noir-streaked pop of"Tears of Lava" (there is a 2014 EP if you are interested to hear more), you can probably already guess how it goes, perfectly polished and effortlessly restrained throughout with midnight synths and a funky bass line laying the foundation for a gorgeous vocal that sits somewhere between nonchalant and allure.

Just my sort of thing then. 

The Best Acts at The Great Escape 2016 (that I saw)

Sorry for the quiet spell on the blog, it's been quite the time... I'm back from The Great Escape (my ninth time) in one piece, more or less, and in lieu of a full day by day recount of the weekend and the thirty odd bands I saw I'm going to cherry pick the absolute best. I'm also going to stop waffling and get on with it.

Hyphen Hyphen
Friday at Brighthelm

Yes. This was the one TGE 2016. 

Hyphen Hyphen are a French electro pop quartet whom appear to be pretty popular in their home country (so much so that they won best live act at the 2016 edition of their Brit Awards equivalent - I now know why) but I'd never heard of until looking for a band to end my night on Friday, I went with Hyphen Hyphen simply because I'd already seen Ary three times this year and their description on the festival app (which was much improved this year, just missing Spotify integration and defaulting to the correct time on the line-up page in my opinion) sounded interesting. The show was their live UK debut and will certainly not be their last, surely soon to be singled out by bigger and better blogs than this as a future crossover artist (with 1.3M views on their "Just Need Your Love" video perhaps they already have).

It took about a minute to fall in love with the band, emblazoned in warpaint and radiant smiles and just about long enough for front-woman Santa to catapult from the side of the stage and launch into the first of the bands hypnotising songs. I've seen some commanding leads in my time and Santa immediately joins the select best, filled with a boundless energy that sees her catapult around the stage quicker than anybody I've ever seen in my life and coupled with this incredibly powerful voice, each song filled with soaring, ethereal melodies, glistening 80's keys and tribal drums and after half an hour passes in the blink of an eye I'm itching for more. Unfortunately it is 2am and the venues security are quickly chucking everyone out of the room before we can even give them the reaction they deserved.

This is how to put on a show.

I'm later asked to describe them and the best I can muster is London Grammar on acid, that'll do for now. Go and discover them yourselves UK.

Saturday at Coalition

Another band making their debut UK performance this weekend and another set to hit the headlines, LA's Muna performed a ridiculously accomplished set of their flickering, 80's indebted pop-rock. They also received the absolute biggest reception of any band I saw at the years festival. It was similar to last years Aurora show in the same venue, the audience immediately putty in the hands of a band clearly on their way to bigger things (it probably helped that the band clearly had a handful of friends in front rows whom knew every word to every track).

"Loudspeaker" is a song I featured on this blog a year ago, the name of their recently released EP and the bands closing track. It's glistening dark pop filled with crystalline vocals and the perfect summation of the girls sound, undoubtedly likely to draw immediate Haim comparisons although much more cinematic with each polished guitar hook, pulsating synth beat and rich vocal washes over you with a rich, warming glow. You feel like you're starring in your own 80's montage. 

I'm pretty soon making an unscheduled trip back to my nearby hotel room to drop of the bands vinyl.

Dream Wife
Friday at Photomatic

Packed into a tiny shop in the lanes, handed a free beer and sweating profusely; pretty much the ideal situation to finally catch Dream Wife live I'd say.

The Brighton based band did not disappoint in their home town with a raw, shrill and energetic show that reminded me of a slightly more pop Dolores Haze (whom I'd caught up with again after seeing twice, quite brilliantly at By:Larm in March the night before). Rakel Mjöll's vocal changing from innocent pop sweetness to snarling, ferocious bite in the blink of an eye amongst driving grunge rhythms, killer pop hooks and chaotic drums, the packed room lap it up and my friends who see the band at one of their other shows return with similarly positive reviews. 

Noisy, aggressive, poppy, brilliant.

Julia Jacklin
Thursday at Komedia and Friday at The Haunt

I have one simple question to ask you. How the fuck had I not heard of Julia Jacklin until the day before The Great Escape? Not only seemingly one of the talked about acts of SXSW this year (and soon to be the same after her shows at TGE) but every drop of her music couldn't be any more 'me' if she had come into my house, taken my record collection and tried to replicate it. 

Both of her sets I catch are chocked full with wounded country ballads that are akin to Angel Olsen and Caitlin Rose, filled with stirring electric guitars from her wonderful backing band (when the sound desk broke at The Haunt and caused a twenty minute delay they took to some impromptu jamming - I doubt Julia will remember the second half too fondly, the mix was certainly not as you'd like) and intimate, honest lyrics.

"Pool Party' closed both sets and is Julia's debut single, it sums up the shows, a combination of swelling instrumentation and devastating voice that makes you linger after her every word, it's achingly pretty, beautifully sad, outrageously brilliant. 

She plays in London again tomorrow before returning in September. That's pretty good news.

Al Bairre
Thursday at The Prince Albert

2015's TGE highlight Al Bairre return a year later to pretty much the same reaction, 'oh fucking yes, this is awesome'.

The Prince Albert stage is tiny, it doesn't lend itself too well for a band as boundless as Al Bairre but it's okay, bouncy indie-pop knows no boundaries and soon enough the afternoon crowd is nodding along to each rhythm and smiling to every infectious, exhilarating track. The good news is this year I know the words to most of the tracks and I'm left grinning like a slightly mad cat, a slightly drunk cat too as I'd perhaps had a few too many beers in the afternoon beforehand.

I said it last year, I'll say it again. Go and listen to this band now. Two sold-out shows in London either side of the festival signal people are. 

The Big Moon
Saturday at Komedia

I think this is my fifth time seeing The Big Moon already (not my last) and easily the best, a new track kicks off the set and it's brilliant. It sets the tone for a great 'matinee' show to please a packed early Saturday crowd.

Fun and engaging, polished and charismatic, the quartet whirl through half an hour's worth of brilliant guitar pop, there's killer hooks at almost every turn, plenty of shredding guitar duals and enough singalong choruses to pack a stadium.

With tracks like "Cupid" and "Sucker" already in their arsenal, the future keeps on getting rosier for this outstanding quartet. 

Thursday at Komedia

Now signed to Island Records (which will hopefully mean we'll have some more music to share soon) Dagny is surely a shoe-in to appear on pretty much every 'Sound of 2017' list and now I've seen her a couple of times, I'm happy to be along for the ride.

There's an additional guitarist at Komedia in comparison to the show I caught at By:Larm and it only adds to the dynamic performance. I love the fact she employs a real band around her, I do struggle with singers and laptops, the live band not only makes for a compelling live show but adds so much 'feeling' to the music over a digital backing. I'm running out of things to say about "Backbeat" so I'll just say this, magic.

Aldous Harding
Friday at Paganini Ballroom

Playing exactly the same venue as twelve months before Aldous Harding is the real deal. It's a set that's entirely made up of new music from her amusingly titled forthcoming record Party and one that beguiles from start to end.

Her music is fascinating, the first four track all see Aldous on her traditional acoustic guitar playing long-lasting finger-plucked melodies filled with wounded tales of personal battles and losses before she switches to vocal duties alongside a friend playing keys and changes key completely, from heartbreaking whispers and spine-tingling emotions to strong, defiant bellowing and dramatic arm movements which both have the audience equally transfixed throughout. The set, as the year before, is littered with Aldous' dark humour and unnerving faces, you aren't quite sure if theatrical or real, I think it's probably both. 

Don't miss her when she returns to the UK later in the year.

Saturday at Synergy Centre

I already knew that Ekkah knew how to get the party started, now I know they can end one too. Ending Saturday with a typically disco-laced set in the strange surroundings of Synergy Centre to a healthy crowd who danced away like the venue was still the night club it was some years ago (and I can remember go to when I visited a friend at uni some dozen years ago). 

"Last Chance to Dance" sums it up perfectly, just listen to that bass-line. Its funky throwback melody moulded with infectious hand-claps and ultra smooth vocal hooks sound like the love child of The Jackson 5 and 80's Madonna and the result is just is good. "

The absolute highlight though is the look on everyone's face as they enter the building after being ID'ed (and I'm talking everyone, especially Robin at Breaking More Waves). 

Few Bits - Summer Sun


Take a bed of jangly guitars and weave in some truly hypnotic vocals and you'll surely win a fan with me. Belgium's Few Bits may have a dubious name but do just that with "Summer Sun", their break-out track from a forthcoming second LP Big Sparks. It's filled with a blissfully intoxicating melody that melts your ears with every shimmering turn, I think you'd call it dreamy...

Even better news comes from the fact I only have just over a week to wait to catch the band live with two dates set at The Great Escape (I usually do a comprehensive preview of bands to watch but I'm not leaving work until 7pm at the minute and I'm away in Riga to run a marathon this weekend, so you might have to wait).

Carmody - Skin


Okay, okay. You're probably more than aware by now that I'm an absolute sucker for dreamy vocal seeped in romantic soundscapes and memorable hooks. Well Carmody's debut track "Skin" is exactly that, a minimal synth-pop beauty that reminds me of all the soul music my Mum listened to in the early 90's. Not that I liked it back then - if you weren't Queen or Meat Loaf, you were out...

As it's taken me literally a month to get this blog written, the EP to follow part is now an EP that was released a couple of week back, the Skin EP is available here.

Kathleen Mary Lee #2 - My Attempt


After another busy weekend what better way to finish it off than with a tranquil bit of finger-plucked folk that takes all the rush of City life away and transports you to idyllic green pastures filled with morning dew on a summers day, the simple, peaceful beauty of  "My Attempt" by Melbourne's Kathleen Mary Lee does just that.

The track, her second after last year's haunting "Fine Times" is a delicate waltz down memory lane filled with intimate, evocative lyrics and sweet, softening vocals that move Kathleen away from the Lana-esque folk-noir of her debut and into timeless, lingering magic. 

An EP is due to follow soon, I'll no doubt write about that too. 

Amanda Merdzan - Glow


I had a note dating back to March 29th from a very good friend Roger (who if you've ever gone to a gig in London, you will know) inviting me to 'like' Amanda Merdzan on Facebook (it's how us cool kids roll). It may have taken me over a month to finally listen but of course, Roger was right (again).

The Australian recently relocated to London and from the quietly hypnotic "Glow" it seems that it's sure to be our gain, the track is nothing short of a beauty, with soft-focus synths and gently cooing vocals lulling you to the most dreamy of states where nothing could possible be bad. After a three hour 'ops-board' meeting today. That's just what I need.

Margaret Glaspy - Emotions and Math


I'm so far behind that the one Margaret Glaspy track I was going to blog about last month has become two. Both "Emotions and Math" (the title track to her debut album due 7th June through ATO Records) and latterly "You and I" offer raw, guitar-driven pop tracks which blend gnarly, growling melodies with a touch of country twang and direct yet breathy vocals.

Even better though is a live version of "Somebody to Anybody", similarly taken from Margaret's debut album, here stripped back to a solo guitar and voice track filled with heartbreak and comfort. It's the sort of emotive, confident track that should be lapped up both sides of the pond.

Margaret makes her UK debut on 23rd August at London's Moth Club.